David Bowie Top Ten Singles And A Bit Of History

David Bowie surprised his fans with the release of The Next Day. It had been ten years since they had seen any new material and the recording process for this disk was done quietly over three years time. What I found to be unusual was that the song he released early was the mellowest on the disk. Still, it is a great song, and I can’t think that anyone would have been put off enough by the nature of that song to write off the entire disk before they had the chance to hear it.
Looking back at his 40+ years, Bowie’s highest chart topping album was Station to Station. It reached the top five. He’s never and an album hit number one, but many of his singles have reached the top spot. At the time of this posting, his new album is charting at 35.
The song Space Oddity hit number one in November of 1975.  Ashes to Ashes made the top spot five years later.  Under Pressure was also a number one song, along with Let’s Dance, and Dancing in the Street. He’s had 23 top ten hit songs, if you include Where Are We Now. 
Bowie had over ten years of solid tours, and hit songs before musical tastes had changed.  Dancing in the Street was his last top ten hit song for many years to follow. He released three truly bad albums between the years 1986 and 1988, and acted in three just as awful movies in that same time period.
When he created the band Tin Machine in the late 1980’s, those of us who find every Bowie effort a “must listen,” would have to agree that this was not one of those times where the project clicked in like a puzzle piece. Personally, I had completely forgotten about the Tin Machine years. When I watch those old Tin Machine videos, it looks as if he’s trying to capture a bit of that late 1980’s punk momentum. You just can’t “un-class” a guy like Bowie. It didn’t work.   
His 1993 release of Black Tie White Noise was hailed as his glorious return to the music that he’s best known for. While I agree that songs such as Night Flights and You’ve Been Around certainly sound like the old Bowie, it’s hard for me to say that the album was any better than some of his marginal works.

Nine Inch Nails And David Bowie

He tried his hand at appealing to a younger audience when he hooked up with Nine Inch Nails in 1995.  That tour failed to bring new listeners to Bowie’s music.  Fans of Nine Inch Nails just didn’t get it.  In fact, there was a bit of backlash from those who felt that he was trying to wedge his way into a fully matured musical culture that had no need for old farts like David. It’s funny to see that Trent Reznor’s fans love Gary Numan, a band that came to fame 15 years before Reznor became a household name, but they passed on Mr. Bowie outright. But then, Reznor owes his musical career to guys like Numan.
If I’m allowed to fast forward to his 2003 release of Reality, I would say that the first song on the disk is quite strong, but the remaining songs seem to drift. David Bowie had a serious heart issue while supporting that disk, and it was scary enough to force him to retreat from the stage. Bowie took a ten year break, but the wait was worth it. The Next Day is a strong effort, and I find nary a “clunker” on the CD.  I hope he doesn’t take another ten year break. If he tours to support the new album, I’m certainly going to check him out.

Four Dystopian Songs For the Ages

As I finish reading Fahrenheit 451, I begin to wonder if there are dystopian songs just as meaningful as some of the more famous books on the same subject. Before I dive into what I consider to be four Dystopian songs for the ages, I feel that it's worth mentioning my favorite novels on that theme: The book mentioned above, Oryx and Crake by Margaret Atwood, 1984 by George Orwell, Lord of the Flies, Running Man, and A Clockwork Orange. Can we find four dystopian songs worth mentioning?

Dystopian Songs for the Ages

In the Year 2525 by Zager and Evans has to be mentioned. Written in 1968, this song touches upon what the world is like in intervals of one thousand ten years. This song covers pharmaceuticals, sustainability, the dehumanization of man through the use of technology, and touches upon the second coming of Jesus Christ. This song hit number one in the summer of 1969.

Down In The Park, written by Gary Numan. This song came out ten years after the previous song hit number one. The lyrics talk of a futuristic park where humans are hunted down and destroyed by android robots. Spectators watch the carnage from a club.

Diamond Dogs by David Bowie came out in 1974, and is a nod to George Orwell's novel 1984. The song depicts a future where people live in chaos.

Radiohead first denied that the theme of the album OK Computer was based on dystopian themes, but later admitted that it was. Karma Police is a good example of that disk.

There are dozens of songs with the same theme, and I must admit that Pink Floyd certainly should be mentioned as a band that wrote songs like Animals, and The Wall. It's fairly easy to be inspired by what the future may look like.

Rain at The Riverside Theater

Sunday, March 2nd @ 8pm The Riverside Theater you will find the show Rain. As I write this post, The Beatles are playing on the radio. Ok, I don't want to seem jaded, but here goes: If you put on mop top wigs you are not The Beatles. If you put on marching band uniforms and round wire rim glasses, you are not The Beatles. If you play their songs note for note, broadcast video footage, have pretty lights, etc...you are still not The Beatles. I'm not a huge nostalgia fan. Don't get me wrong, I love seeing old bands. They have to be the real thing though. I have seen Gary Numan play many times. His only hit in America was back in 1981. Still, I'm watching Gary Numan, not some guy dressed up like Gary Numan. Same goes for Emerson, Lake, and Palmer. When the band "3" played at Billy's Old Mill, I was watching Keith Emerson, and Carl Palmer. Sorry you Beatles fans, I just can't accept this event. Once you put fakes up on a stage, you have lost me. To quote Mark Lewis of Rain " The five members of Rain, each a huge Beatle fan himself, use the Beatles' albums like textbooks, constantly referring to them to ensure the songs performed live include every harmony, vocal tone, chord inversion, hand clap, cowbell, string arrangement - even possible good. That's why Rain's music meets the expectations of audiences who know the Beatles' music subconsciously." If the members of Rain were good enough to impress Beatles fans with their renditions of the real Beatles without the wigs and lights, then I would give them their due. If the musicians were actually themselves, not dressed up as a look-alike AND sound-alike band, I would have no problem with Rain. This picture isn't Rain, but you get my point. Looking back is fine. Living in the past is not fine.