I'm preparing for another reunion show. It's for my old Milwaukee punk band. I will also be filling in on the drums for another great band named Sacred Order. This time, I'm not doing any of the promotion, as the event is a fundraiser for an aspiring author. The even is at Shank Hall this weekend. All I have to do is try to play drums like I played back when I was 21 years old. That's hard enough.
My bass player already asked me to bring the tempo down a bit on the songs. I have no problem with that, as I really can't keep up with that drummer who used to be me. I can safely say that I'm not as flexible as I was all those years ago. It's not that I need the flexibility, but it would be nice to have. I'm drumming smarter now.
After the first few rehearsals on my own, I was starting to think that I would not be able to get my chops back up to snuff. I was losing drum sticks, hitting the rims, and folding my arms onto themselves. It was messy, to say the least. To make matters worse, I had a ten day vacation planned well ahead of this event. The vacation would take up precious drumming time.
Our first full band practice went well. When the rest of the band saw that I was just about as rusty as they were, it seemed to make them feel better. Not that they need me to be playing poorly so they can feel better about themselves. It was more of a "we're all in the same shape" kind of thing. By our second rehearsal together, we had improved greatly. The only wild card will be how well our singer performs. He's flying in the night before the event.
Aside from the singer, the members of the band have all been performing in various bands in the past 25 years. The singer was doing some hip jazz stuff in the early 1990's. I don't know if he will be up to the task, but it's punk music, so all he has to do is get through the show with some sort of vocal style.
Tuesday, November 27, 2012
Friday, November 9, 2012
Bob Dylan Top Charting Albums Prior To 1970
Bob Dylan is coming to the BMO Harris Bradley Center on November 17. Will he play the new album, or just the classics? I would think
that most fans want to hear the classics, but I could be wrong. Perhaps he could toss out a couple Traveling Wilburys songs too.
Dylan first hit the charts in the US with his album titled
The Freewheelin’ Bob Dylan. That album
was more popular in the United Kingdom, but managed to hit the top 25 in the
charts here at home. He had similar
results with his third album titled The Times They Are a-Changin’
The album went gold in the states, and made the top ten in
the UK.
In 1965 Bob Dylan had two very popular albums hit the
charts. Bringing It All Back Home sold
over a million copies, charting at number six in the USA. Once again, he had a number one hit on his
hands in the UK. Following up with
Highway 61 Revisited, he made fans very happy with that effort. He sold over 1.5 million copies of that album.
Between 1966 and late 1970, Dylan released five albums. All five albums were top ten efforts in the
United States and Europe. Nashville
Skyline did best, selling well over one million copies.
His album titled Together Through Life was released in
2009. That disk hit number one in
American and abroad.
Wednesday, October 31, 2012
Back Into The Studio | Finding Soul In Your Drumming
I’m heading back into the (home) studio tomorrow night. We
recorded all of our songs about five months ago, and I just didn’t like how the
bed tracks sounded. I’ll be the first to
admit that I felt a bit stiff during the sessions. Surely, there were “keepers” in the bunch,
but after playing them back; they just didn’t seem to have soul. Tomorrow, I’m
going for soul. How can I shake those anxious feelings that come right before
we push the record button? I’ll tell you.
I would say that preparing for the recording by practicing a
lot is probably a wise thing. Having
known these songs backwards and forwards for a while now, it’s all down to
execution. I have rehearsed these songs five out of the past seven days. I have
worked out, then rehearsed, and then done the reverse by banging on the kit
until I was worn out, following that up with a quick 2 mile jog. In prior years, I didn’t tie my physical exercise with my drumming. I didn’t
focus on cardio and leg strengthening. I
would lift weights, focusing on my shoulders, and the muscles that help me keep
my arms up. As a result, my legs just
didn’t feel strong enough. I’m three
months into this new program, and I love the fact that my whole body feels pretty
strong after playing the set twice.
Drumming Is All In The Mind
Now for the mental part of recording, I’m hoping for some
encouragement from the rest of the band, but I don’t really care to have the entire band watch me lay down drum
tracks. In fact, I prefer to have just one band mate at the session. I could be wrong, but I just don’t see the
need for all the cooks in my kitchen.
Most times, their minds wander after the first few takes. You might finish a song and ask them what
they thought, only to get a “That was okay.” from someone who you knew wasn’t
really listening. So here I go, stronger, ready, and hopefully with just one
helper in the booth.
Wednesday, October 17, 2012
Ear Plugs For Musicians | Protect Your Hearing
I am a drummer who suffers from tinnitus. The constant
ringing in my ears is something that I have gotten used to. That doesn’t mean that I have accepted it. I
hate it. I wish it would stop. I started
wearing ear plugs in 1993. I was nine
years into my musical endeavors, but the damage was already done. It didn’t help that I fell asleep each night
with headphones on. When the ringing started, I found myself trying to stop the
advancement of the tinnitus, rather than eliminating it altogether. There are
very few effective ways to eliminate tinnitus. My efforts to stop this progress
have surely helped me to understand what musicians can do to take care of their
hearing.
Ear plugs made of foam are usually the first type that a musician
uses. They can be found at any drug
store, and are usually sold next to silicone plugs, or earplugs that swimmers
use. There are a few different styles of
foam plugs, some with a sponge type feel, that are cylindrical shape. Others look more like a bullet, and have a
smoother finish. Either type will
certainly give you protection, but I find that the “bullet” shaped plugs tend
to slip out of the ear as time goes on.
The other issue I have with these plugs is that they tend to mute the
incoming sound in ways that makes it harder to play drums at a proper
level. I find myself hitting the drums
harder, thus killing some of the overtones of the drum kit. Still, foam plugs
work well to spare your ears, and they come with different levels of noise
reduction capability.
Ear Plugs For Musicians
Musicians ear plugs are designed to reduce sounds
evenly. You will see these plugs have
flanges, and a central flange. There are two parts to this plug that work to
reduce high and low frequencies. The diaphragm will take care of the lows,
while the central flange helps to bring down the high notes and sounds. These
plugs cost more, but can be reused.
In this category, you will also find the custom made ear
plugs. I took the time to visit an
audiologist, to have a mold made of ear canals. After taking a hearing test,
the audiologist made that mold, and within a few days I had a pair of earplugs
that fit my ears exclusively. They offer
the best attenuation, and noise reduction.
They certainly cost more than a box of foam plugs, but the fit and sound
reduction made it an easy choice.
Finally, I must admit that I have a set of ear muffs, just like
the kind you see the airport baggage handlers wearing. I wear those when recording the drums. The ear muffs allow me to first put on a pair
of in-ear noise reducing headphones, and then I can put said earmuffs over the
ear plugs. I use the headphones to play along with a click track, but have a second layer of sound reduction with the ear muffs. I
also use the ear muffs during rehearsal, as they offer up a different type of
sound for the listener. I tend to hear more of the lows when I wear them. I
must admit that the bass guitar can bleed right through the ear muffs, so it’s
best to remind your bass player to keep the volume down, if possible.
Wednesday, October 10, 2012
Crazy Tour Story Part Two | Bullet Holes In The Lobby
This is part two of my Rock and Roll in Croatia tour entry. We had the opportunity to perform in some rather remote regions of Yugoslavia. Most times, the shows were just like any other, but this one had a feel that I will never forget.
The club was now full, and upon the first notes of our opening song, the room turned into a violent, swirling mosh pit which immediately drove some of the wiser and more fashionably dressed people out onto the gravel pavement surrounding the cafeteria. The majority of the men in the mosh pit were clad in worn out military fatigues. This hunter green melee forced many to watch our band through a single grimy window. An ice storm had started outside, and for some reason my mind focused on the sharp crystal pellets bouncing off the heads of the people that gathered close to the window. As we ticked off the songs in our set, many of the men seemed to lose control. Empty bottles started to fly from the crowd, creating brown and green fireworks of glass that drove even more people out onto the gravel. Two security guards stationed on each side of the stage were throwing men back into crowd, but noticeably losing control of the situation. Our bass player was kicking people back into the crowd, men were crashing into the drums, and broken glass was flying like shrapnel. We had to cut out songs from our list and end this night before something very bad went down.
The club was now full, and upon the first notes of our opening song, the room turned into a violent, swirling mosh pit which immediately drove some of the wiser and more fashionably dressed people out onto the gravel pavement surrounding the cafeteria. The majority of the men in the mosh pit were clad in worn out military fatigues. This hunter green melee forced many to watch our band through a single grimy window. An ice storm had started outside, and for some reason my mind focused on the sharp crystal pellets bouncing off the heads of the people that gathered close to the window. As we ticked off the songs in our set, many of the men seemed to lose control. Empty bottles started to fly from the crowd, creating brown and green fireworks of glass that drove even more people out onto the gravel. Two security guards stationed on each side of the stage were throwing men back into crowd, but noticeably losing control of the situation. Our bass player was kicking people back into the crowd, men were crashing into the drums, and broken glass was flying like shrapnel. We had to cut out songs from our list and end this night before something very bad went down.
As I clicked off the four-count start to our last song, everything went
black. A man had lassoed my head and
arms with his jacket. He had thrown off most of his clothes and tossed them in the air, and I just happened to be in the line of fire. For just a second or two, I lost it. In that short burst of
anger, I yanked the jacket from my head, and stood up from behind my kit. Standing on the stage in front of me was a
drunken soldier, stripped down to his underwear and one shoe. The entire club broke out in laughter. My rage diminished instantly, and we went on with our last song. It was fitting that the night ended with a bit of slapstick comedy.
We packed up our gear and headed to
the hotel.The only hotel in the village had no power, but they managed to show us
to our rooms with flash lights. The
hotel manager confiscated our passports, and left us alone in the pre-dawn
darkness.
Our tour driver shared the hotel room with
me. He pulled out a flashlight, cleaned the blood from his mouth,
and nursed a sore shoulder. He had his
own battle off-stage that night, having been head-butted by a man who tried to
steal an empty CD case. The fight lasted
only seconds, but the damage was apparent.
He muttered something about his jacket being torn and didn’t bother
undressing. He collapsed on his bed and
we tried our best to get some sleep.
At first light, I found that we were staying in a brown painted room with brown carpet, brown blankets, and brown furniture. The morning was cold, grey, and it was time to get rolling to the next town. We got our passports back from the hotel manger, ordered some coffee, and waited in the lobby for the rest of the band. I happened to look up at the ceiling. Directly above me were 23 perfect little black holes. I pointed to the holes just as our hairy legged waitress came back with our coffees. "Bullet Holes. Someone got a little excited." she said to me, as she put her hand into the shape of a gun.
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