Which Drums Make The Best Sound? | Drum Heads Play A Part Too

I'm still playing my poplar Sonor Force 2000 drums.  These are the drums from Germany, not the newer Chinese drums that Sonor makes now. At the time that I bought them, they sounded great.  I knew little about woods at the time, and had a limited budget.  Poplar isn't the hardest of woods, but with the right drum heads, they sound great.  It took me a long time to figure out just which heads would work for those drums.  I'm still trying to figure out what heads work best on a much more expensive set of Yamaha Maple Custom drums that I purchased about ten years ago.  Is there such a thing as the perfect wood or perfect drum head to go with that wood?

For the Sonor drums, I'm using the Remo smooth white heads.  These heads (and that wood,) seem to produce a great sound for rock drumming.  The tones are somewhat muted by the 10-mil thickness of the head, but the notes cut through, and the attack is still pretty sharp.  For an attack that is somewhat less sharp, I will sometimes use the coated Ambassador heads.  That is especially the case when I'm playing the maple drums.  As the Sonor drums have been taking a beating for nearly 20 years, their bearing edges are in need of adjusting.  For now, the smooth heads seem to help in that regard.  If I ever get the bearing edges redone, I'll consider switching to a head that isn't as thick.  For a long time, I played the Remo Pinstripe heads on the Sonor kit.  Those heads lasted longer, and that was a good thing for a struggling musician.  Their double ply Mylar construction will reduce the decay, but the overall sound makes your drums sound "fat."

Evans Hydraulic Drum Heads 

For a short while, I tried my luck with Evans Hydraulic heads.  They looked cool, but the muffled decay was just not what I wanted for a sound as I left the world of punk rock, and moved into rock.  If you want a punchy sound, go with the Evans Hydraulic heads.  Don't expect very much sustain on those drums.  I realize that it costs a bit of money in order to experiment with different skins.  What you might want to do is head on over to your local music store, and see what skins are on which types of drums.  If you can test drive the skins, all the better.

The Residents Come To Turner Hall Milwaukee

The Residents came to Milwaukee last Sunday night. This was my first time seeing the group live. As I felt that it might be the last tour for the original members, I thought that I better get on it. After all, the Residents have been around since the 1960’s. For those of you who are not familiar with the art collective, I suggest that you check out this Residents link.
When did I get the itch? It was back in 1981, when they released Mark Of The Mole. I had asked for the album as a Christmas gift from my parents. (Pretty cool parents, I must say.) After pulling out the vinyl I put on a pair of headphones and started to play it, while others were still unwrapping their gifts. I was 16 years old at the time, but the album still had a huge effect on me. The songs were almost frightening. Mark of the Mole had a theme. It was all about the struggle of the Mole People, and their war with the “Chubs.”

After Mark Of The Mole, I went backwards in the Residents timeline, and picked up Third Reich “N” Roll. The album came out in 1976, and was labeled as a “parody” of American pop music. I found it to be quite serious music. Perhaps I found it serious because the songs that they chose to parody were musical numbers that were (by 1982) overplayed “Muzak.” It doesn’t take much to turn a happy tune into a haunting, freak out of sound. That’s what the Residents did to so many numbers on the Third Reich album.




The Turner Hall performance featured three “band” members: Randy, Chuck and Bob. Their props and set were quite stripped down. I was a bit disappointed considering that I had heard so much about their previous efforts. I won’t spoil it for those of you still hoping to catch the band on this current tour. It was strange enough just to see the group do their thing. I don’t really know if stage props were necessary. My only complaint: They should have turned up the volume

Weekend Road Trip Tips For Drummers | Be Prepared For Anything

We played two nights in a row last month.  One show was in Milwaukee, while the other was in Oshkosh.  Both shows were in venues that I have never been in before.  That meant that I had no idea what to expect as far as the stage set up, sound, lights, or vibe of the bar staff.  What makes your life easier when you have to play a show in a new club? How should you prepare for a two show weekend? I'll be happy to post what I feel are little things that can make a huge difference in how you perform when you have no idea what to expect.

It goes without saying, but I will say it. Get to the club on time, your first time. Nothing looks worse than being late for your first show at a new club. You have already proved to the club owner or manager that you are not professional. Why should they ask you back if they are worried that you might not show up at all?  If load in is at 8pm, be there at 8pm.  It's not just the club owner that you want to keep happy.  Your band mates might be giving you the stink-eye if you miss load in. 

When you do load in, be aware of the neighbors.  Is the club playing loud music that might disturb the folks that live next door? If yes, try to keep the load in as short as possible.  Be aware of slamming doors, loud band mates, the general "smashing and crashing" of gear, or doors that are propped open too long. Also, be a sport and pitch in when loading in.  You might not be the drummer, but that doesn't mean you just have to worry about your amp head and bottom. There might come a time when I might be hauling your rig out of a club at 3am, when you are dead drunk.  It's a huge relief to know that your band mates have your back.

Feed Yourself On Short Road Trips

For short road trips, I can't stress enough the need for you to bring some extra food with you. Our van broke down on the way to a show that was just 90 minutes from home.  We planned on eating when we got there, and with the two hour delay we had no time to stop for food. There are few things worse than playing a show on an empty stomach. I stash a power bar, candy bar, apple, and shelled peanuts in my bag when I go for an overnight show. Also, stash a full water bottle in your bag. (More on that later.) On the night in question, our late arrival allowed me just enough time to eat some peanuts while I set up my kit in a rush. I had the power bar after the show (before my first alcoholic drink of the evening,) and knew that if I woke up starving the next day, I had some fruit and sugar to keep my stomach full enough.

Don't forget to bring a water bottle on stage the moment you start loading your gear onto it!  There are times when you were supposed to be on "ten minutes ago," and you are looking at a club that is so full, that you know you won't get the bartender's attention.  All you want is a drink, or some water to take onto the stage. That lonely water bottle has saved my butt many times. It's especially handy when you are playing a tiny club, and you just boxed yourself into a corner of the stage with your drum kit. You are thinking about that mad dash to the bar, but your band mate just hopped on stage and she's strapping on her bass.  What are you going to do?  You are stuck, and the band wants to start.  At least you have 12-14 ounces of room temperature water to suck down for the next 90 minutes. Also, check out this useful drummer's drink holder. It's so much better to keep your liquids off the stage floor. We all know how easy it is for our precious drinks to get knocked over. Sometimes your singer can shout out to the bar that the band needs need a drink, and you get lucky enough to get a response. Don't count on it.

In part two, I'll add some "non-food" related items that I find essential.  For now, keep your tummy happy, stay hydrated on stage, and be on time!.

Cigar Box Guitars | Much More Than A Toy

I’m a drummer who owns a cigar box guitar. I use it for therapy. What do I mean by therapy? If you ever picked up a cigar box guitar, you would understand.  Their simplicity encourages you to interact with them. You can’t help but play with it, pluck it, strum it.  The open tuning helps me find a sound, as I just can’t jam my fingers into any discernible chord structure. When I get a bit hung up on the fact that I really can’t play chords, I recall the following quote by Bluesboy Jag: “In the cigar box guitar revolution, everybody does what they want to do.”

There is an annual festival held in North Little Rock Arkansas that celebrates the cigar box guitar. That festival brings together many of those folks who love to build and play cigar box guitars.  There are no hard and fast rules on how to build one.  The same can be said about how to play, or tune it.  It’s all about the feel, and what the box says to you.

Their origin springs from a time and a place where money was tight. They were built with items on hand, like a broomstick, broom wire, and (of course) a cigar box.  Things have evolved to a point where serious bucks are spent in their construction.  Mine is made with a vintage box, real hardwood for guitar necks, and tuning pegs.  The retail price for mine would probably be in the $200 range. It was an investment, to be sure. That doesn’t mean that you can’t find the materials to make one yourself.  It just means that a cigar box can come from humble beginnings, or be part of some serious luthier work.

Two of my childhood friends now build cigar box guitars.  One was a professional luthier, the other a machinist.  A few years back, the luthier taught the machinist how to cut the wood, and assemble the guitars. It had been a long time since the two had worked together, and they both came away from the experience having learned that some things never change.  They both retain a passion for building and playing. As for the therapeutic properties of the guitar, I must say that I usually turn to it when I’m stuck on a writing project, or when I’m patiently waiting for my wife for one thing or another. When I play it, my back muscles loosen up.  Time slips away, and before I know it, I’m relaxed (or my wife is ready to go.)      

David Bowie's New Album | The Next Day

David Bowie turned 66 yesterday. He released a song from his new album, as sort of a gift to everyone. It's darn good.  His voice does show signs of those 66 years, but once you settle into it, you will find it quite pleasing.  He went back to Tony Visconti for support on this one.  It shows, in a good way. Visconti is credited on a dozen of Bowie's albums, including what is called the "Berlin Trilogy," a group of three albums recorded in Germany.  The new Bowie album doesn't come out until March.  It's billed as a rock album.

David Bowie has redesigned his website.  It contains videos, and remixes of classic songs.  I suggest that you take a look for yourself.  As for the controversial album cover, one can find answers on the Barnbrook blog.
If the rest of the album is anything like the sample song, Bowie has a hit once again.